Green Snake (青蛇), a 1993 Hong Kong film directed by Tsui Hark, starring Maggie Cheung, Joey Wong, Vincent Zhao and Wu Hsing-kuo, which depicts the story from the perspective of the Xiao Qing and lays emphasis on their snake-like origins and characteristics.Snake Woman's Marriage (白蛇大鬧天宮), a 1975 Taiwanese film directed by Sun Yang.Leading ladies Lin Dai and Margaret Tu Chuan both committed suicide not long after the film's release. This version is a Huangmei opera directed by Yueh Feng, with music by Wang Fu-ling on a libretto by Li Chun-ching. Madam White Snake, a 1962 film produced by Hong Kong's Shaw Brothers Studio.It was also the only known film based on the legend to be dubbed in German (German release title: Erzählung einer weißen Schlange). It was also one of the rare instances where Xiaoqing is represented as a fish demon and not a snake demon. release title was Panda and the Magic Serpent. The Tale of the White Serpent (白蛇傳), the first colored anime feature film was released in Japan in 1958.It was noted for being the first colored Toho special effects film. The Legend of the White Serpent (白夫人の妖恋), a 1956 Japanese film made by Toho in collaboration with Hong Kong's Shaw Brothers Studio.
Ugetsu (雨月物語), a 1953 film by Kenji Mizoguchi, is based on Akinari Ueda's version of the story, 'The Lust of the White Serpent,' although the finished film shows no serpents and bears little resemblance to the legend.It was the earliest talkie adaptation of the legend. The Legend of the White Snake (白蛇傳), a 1939 Chinese film made by Xinhua Studio.Madam White Snake (Bai she zhuan shang ji, 1926 & Bai she zhuan xia ji, 1926), a lost two-part silent film, was an early production by the Shaw Brothers, directed by Shao Zuiweng.
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In 2012, the Oregon Shakespeare Festival in Ashland, Oregon, staged an adaptation by Mary Zimmerman. In 2010, an opera based on the legend, Madame White Snake, with music by Zhou Long and a libretto by Cerise Lim Jacobs, premiered in a production by Opera Boston. Taiwan's Cloud Gate Dance Theater performed a modern dance interpretation of Madam White Snake in the 1970s. White Snake, Green Snake (2005), created by Christopher Wong The Legend of the White Snake, created by Leon Ko and Chris Shum Premiering in 1972, it marked the start of the musical theater industry in Hong Kong. Pai Niang Niang, created by Joseph Koo and Wong Jim. Stage musical adaptations in Hong Kong include:. The story has been performed numerous times in Peking opera, Cantonese opera and other Chinese operas. They are reincarnated as a male human and a female white snake spirit respectively and their story begins.Īdaptations Operas and stage plays A retcon or revisionist version of the story relates that Xu Xian and Bai Suzhen were actually immortals who fell in love and were banished from Heaven because celestial laws forbade their romance. 
Bai Suzhen is freed from Leifeng Pagoda because her son's filial piety moved Heaven. His background story is also different in some adaptations. Fahai is portrayed in a more sympathetic light as opposed to the traditional depiction of him as a vindictive and jealous villain: rigid and authoritarian, yet well-intentioned. She is more animalistic and therefore sometimes at odds with Bai Suzhen, thus explaining their differences both in character and actions. Alternatively, the green snake (Xiaoqing) is less evolved, less well-trained compared to the white snake (Bai Suzhen), and thus less cognisant of what it means to be human. The green snake (Xiaoqing) is portrayed as a treacherous antagonist who betrays the white snake, as opposed to the traditional depiction of her as the white snake's close friend and confidant. Some adaptations of the legend in theater, film, television and other media have made extensive modifications to the original story, including the following:
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